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Crawlable Urbanism: Cities Are for Kids, Too

All of a sudden, I feel like all anyone is talking about is whether it’s a good idea to raise kids in the city. I’m raising a kid in the city. I feel great about it when she has a blast on the back of the bike, or makes friends on the bus, or gets excited about pressing the beg button at the corner. I feel a little less certain when we toddle down the sidewalk and come upon guys peeing on the dumpster or passed out on the stoop. When I look at the test scores for our neighborhood schools, I get a knot in my stomach.

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A few days ago I visited my friends’ new home in Potomac, a wealthy, second-ring suburb with enviable schools. Their new house sits on two acres with a pool and a basketball court. After a few hours sipping beer in their landscaped yard and watching our children frolic in the pool, I had to do some mental gymnastics to remind myself why I didn’t pick this path for myself.

This City? Childless?

But the fact is, despite its obvious allure, that path is being chosen by fewer and fewer people. Even among families with kids, many who could afford 5,000 square feet with a pool are increasingly opting for a smaller house, a pool club membership, a shorter commute, and transit access.

In the current issue of City Journal, Joel Kotkin and Ali Modarres pretty much erased this reality -- my reality, mind you -- with their silly article, “The Childless City”:

Even the partial rebirth of American cities since [the 1960s] hasn’t been enough to lure families [with kids] back. The much-ballyhooed and self-celebrating “creative class” — a demographic group that includes not only single professionals but also well-heeled childless couples, empty nesters, and college students — occupies much of the urban space once filled by families. Increasingly, our great American cities, from New York and Chicago to Los Angeles and Seattle, are evolving into playgrounds for the rich, traps for the poor, and way stations for the ambitious young en route eventually to less congested places. The middle-class family has been pushed to the margins, breaking dramatically with urban history.

The nodes anchoring the themes of Destination Crenshaw take inspiration from the stories of Nipsey Hussle, Biddy Mason, architect Paul Revere Williams, and the unifying of the diaspora. Image courtesy of Destination Crenshaw

“The Childless City” is illustrated with a picture -- I’m not kidding you -- of “the casts of The Real World and Jersey Shore party[ing] it up at a New York nightclub.” That, to them, illustrates the modern city.

I’d like to take Joel Kotkin on a child’s-eye tour of Washington, DC, a city emptied out a few decades ago by crack and riots and mayhem. Talk about a rebirth.

I’d bring him along to the bilingual story hour at the local library, which is walking distance even for my toddler. I’d show him parents taking the bus with their kids down to the National Mall to see dinosaur skeletons and war planes in our world-class museums. I’d encourage him to play in the fountain in the plaza of the transit-oriented neighborhood of Columbia Heights along with scores of wet, shrieking children of all colors and incomes. And after getting his soak, I’d even buy him frozen yogurt, Chilean empanadas, vegan cupcakes, or Central American fried chicken from the establishments lining the plaza.

All of these child-friendly urban amenities are invisible to Kotkin. “We have embarked on an experiment to rid our cities of children,” he declares. The rent is too high, the yards are too small, the schools are too bad, the neighbors are too sketchy.

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