What do someone’s shoes tell us about them?
Some would argue quite a bit.
Others would argue that you need to actually spend some time inhabiting someone else’s shoes in order to really understand who they are and the journey they’ve been on.
Kim Abeles, the artist behind the ”Walk a Mile in My Shoes” public art installations at Jefferson Blvd./Rodeo Rd. and Rodeo Rd./Martin Luther King Jr. Blvd., seems to believe both are true.
Inspired by “the wish to walk in the footsteps of Martin Luther King, Jr. and those who walked in solidarity for the civil rights movement” as a way to know them and their struggles, she began looking for a photograph of King’s shoes.
Instead, she came a cross “a profound collection of shoes belonging to members of the peace marches” that had been collected by Xernona Clayton, a civil rights activist whose foundation was one of the forces behind the International Civil Rights Walk of Fame in Atlanta.
Abeles used bronze casts of King’s work boots (above) and shoes worn at marches (below) to anchor her art pieces.
She then used photographs of the shoes of others who played key roles in furthering civil rights to tell a richer story — one of an ongoing movement whose strength lies in diversity, empathy, creativity, and unwavering commitment to forward motion.
Some of the shoes I spotted at the Rodeo/King site included those of Rosa Parks, James Brown, Sammy Davis, Jr., Sidney Poitier, and Maya Angelou (for background on their efforts and those of others included in the piece, see here).
More interestingly, Abeles took the themes of inspiration, empathy, and “walking” as forward movement a mile down the road to the Jefferson/Rodeo site, where the featured shoes belong to a diverse set of local activists who have made unique contributions to community building.
It was fun to see the names of people I recognized and admired, like pedestrian advocate Daveed Kapoor or Richard Montoya (below), the co-founder of Culture Clash and man behind Chavez Ravine and Water and Power.
The overhaul of the spacious traffic island at the Jefferson/Rodeo site allowed for the shoes to be put on pedestals, as it were, and for the inclusion of a blurb about each of the activists featured. The smaller space at the Rodeo/King site meant that activists’ affiliations had to be listed on a plaque on the structure holding King’s shoes.
Both are lovely sites and great reminders that there are many ways to serve your community.
My only issue with the installations was their placement. Read more…