Fmr. Councilman Weiss: We Need the NFL to Increase Our Public Space
Candidate Weiss and his union supporters last March. Photo: Jack Weiss/FlickrFormer City Councilman Jack Weiss has not been what one would call progressive on most transportation issues. While he backed the Mayor on transit issues, he also was his largest backer for the massively unpopular Pico-Olympic Plan which would have sped up rush hour automobile traffic at the expense of parking for businesses, bicycle and pedestrian traffic. Weiss sounded a progressive tone on his candidate's survey for Streetsblog, but also backed an LADOT plan to remove traffic calming in Holmby-Westwood.
None of this history explains his bizarre editorial in today's Jewish Journal where Weiss makes the case that Los Angeles desperately needs an National Football League team because of the city's lack of public spaces.
Instead, I want to discuss the more subtle, community-building impact of a stadium and a team. I didn’t understand this issue in 2002, but I know more now about the city than I did then.
Los Angeles is an anomaly. We may have beaches and mountains, but we have very little in the way of shared civic space. The “Civic Center” itself is a fib of a name. We lack grand walking avenues, a true central park and pedestrian plazas. We drive from home to work on elevated freeways, park underground and then drive home again, rarely interacting with one another in the way common daily in New York, Chicago, Washington or San Francisco.
When we feel a need for communal spaces, we turn to developed space, not public space. The Grove, Century City, L.A. Live, Universal CityWalk and Santa Monica’s Third Street Promenade are popular precisely because city planners permitted the city to grow wide and not deep. They fill a gap that our city’s infrastructure cannot — pedestrian-friendly space for thousands of people at a time...
...And that’s what intrigues me from an urban policy standpoint about an NFL stadium — it addresses what Bret Easton Ellis’ narrator was talking about in “Less Than Zero” when he said, “People are afraid to merge in Los Angeles.” It fills the void in Paul Haggis’ opening lines from “Crash” — “It’s the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We’re always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.”






