Skip to content

Posts from the Crenshaw Corridor Category


CA Cap-and-Trade Transit Funding Awarded to Metro, Other SoCal Agencies

This week California awarded $40M in cap and trade funding for Metro's planned LAX station

This week, California awarded $40M in cap-and-trade transit capital funding for Metro’s planned LAX rail station. Image via Metro LAX staff report

This week, the California State Transportation Agency (CalSTA) announced the recipients of its Transit and Intercity Capital Program (TIRCP) grants. TIRCP distributes state cap-and-trade funding to local transit agencies for projects that will reduce greenhouse gas emissions. In greater Los Angeles, funds were awarded to Metro, Foothill Transit, Los Angeles-San Diego-San Luis Obispo (LOSSAN) Rail Corridor Agency, Antelope Valley Transit Authortity (AVTA), and Orange County Transportation Authority (OCTA). A detailed project list follows.

The TIRCP awards total $390 million statewide, with $109 million of that going to L.A. Metro.

Though state cap-and-trade has been criticized by its foes, including petroleum interests, it continues to be a key source of funding for critical livability projects, including these transit capital projects, plus high-speed railtransit-oriented affordable housing, and more. Governor Jerry Brown is pushing to extend cap and trade, but it appears that that effort may need to go to a statewide initiative vote, instead of the theoretically easier state legislation route.

Southern California TIRCP projects follow after the jump, listed in alphabetic order by agency name. See CalSTA for a full statewide project listsRead more…


Metro Awards Contract for Environmental Study and Design of Phase I of Rail-to-River Bike Path

The Rail-to-River plan to put a bike path between the Crenshaw Line to the west and the L.A. River to the east just took another step forward. Source: Metro

The Rail-to-River plan to put a bike path along the Slauson corridor (between the Crenshaw Line to the west and the L.A. River to the east) just took another step forward. Source: Metro

As bike month comes to a close, we have some good news for South L.A. cyclists. At yesterday’s Metro Board meeting, a $2 million contract was awarded to Cityworks Design to begin working on plans for a 6.4 mile segment of the Rail-to-River bike path project (segments A-1, A-2, and A-3, above).

The Rail-to-River bike path, as County Supervisor and Metro Board Chair Mark Ridley-Thomas described it last October, is an important opportunity to turn an 8-mile stretch of a “dormant” and “blighted” rail right-of-way (ROW) in a “historically distressed area” into a biking and walking path that could more efficiently connect people to transit while also bettering the local economy, health outcomes for residents, and the local environment.

Running between the Crenshaw/LAX Line station at Fairview Heights station to just east of the Blue Line station at Slauson and, in subsequent phases, to the river, the path will not only help connect cycling commuters to transit but offer the local residents of a neglected industrial corridor much-needed green space and a place to safely stretch their legs.

Yesterday’s development doesn’t mean the project is about to break ground, unfortunately. Instead, Cityworks Design has been tasked with undertaking environmental review, clearance, and design work for the project. Supporting documents describe Cityworks as specialists in environmental clearance and able to work within the time constraints of the project. Which is a good thing, as the TIGER grant requires the funds be obligated by September of 2017 and expended by 2022.

The project has been a few years in the making. Read more…


Planning and Programming Committee Recommends Metro Board Take Next Steps on Rail-to-River ATC

The Slauson corridor that runs through South L.A. takes another step forward toward becoming an Active Transportation Corridor. Sahra Sulaiman/LA Streetsblog

The Slauson corridor that runs through South L.A. takes another step forward toward becoming an Active Transportation Corridor. Sahra Sulaiman/LA Streetsblog

On October 23, 2014, the Metro Board of Directors voted to adopt the Rail to River Intermediate Active Transportation Corridor (ATC) Feasibility Study and directed staff to identify funding for full implementation of the project. The Board also authorized $2,850,000 be put towards facilitating the environmental, design, alternative route analysis, and outreach work required for the project to move forward and requested the staff report back in May of 2015.

At this past Wednesday’s Planning and Programming Committee meeting, the committee filed the requested report detailing recommendations that the Board take the next steps of applying for grants from the federal Transportation Investment Generating Economic Recovery Discretionary Grant (TIGER) program and the state Active Transportation Program (ATP). To facilitate the application process, staff also requested the Board authorize an allocation of $10.8 million in hard match funds in time to make the grant programs’ June 1 and June 5 deadlines.

The report suggests the Rail-to-River project has the potential to be very competitive.

Sited along an 8.3 mile section of the Harbor Subdivision Transit Corridor right-of-way (ROW), it will eventually connect the Crenshaw/LAX rail line to multiple bus lines (including the Silver Line), the Blue Line, the river, Huntington Park, Maywood, and/or Vernon via a bike and pedestrian path anchored along Slauson Ave.

First proposed by Ridley-Thomas and Supervisor and Metro Board Member Gloria Molina in 2012, it has the potential to effect a significant transformation in a deeply blighted and long-neglected section of South L.A.

Screenshot of proposed bikeway corridor. Phase 1 (at left) represents section that Metro could move on immediately. Phase 2 would proceed more slowly, as Metro would need to negotiate with BNSF to purchase the ROW.

The visuals included in last year’s feasibility study divide the project into two phases (to be implemented concurrently). The central segment runs along Metro’s ROW on Slauson, eventually connecting with the Crenshaw line, to the west, and possibly the river, on the east.

But it isn’t going to come all that cheaply. Read more…

No Comments

Metro April News: Crenshaw Work Stoppage, All Door Boarding, and More

Today was the April meeting of Metro’s board of directors. There was nothing earth-shatteringly controversial on the agenda, but below are a handful of updates.

A boy walks past the staging area for the Crenshaw Line at Crenshaw and Exposition. Recently erected sound barriers can be seen along Exposition. Sahra Sulaiman/LA Streetsblog

Safety concerns recently temporarily shut down construction of Metro’s Crenshaw/LAX rail line. Sahra Sulaiman/LA Streetsblog

Crenshaw / LAX Construction Work Stoppage

As mentioned on SBLA Twitter and explained in this headlined L.A. Times article, safety violations caused Metro to take the unprecedented step of stopping construction on the Crenshaw/LAX rail line. Metro issued a stop work order to contractor Walsh/Shea, which paused work on April 9 and resumed on April 13.

Interim CEO Stephanie Wiggins used her report to allow Metro staff to explain the Crenshaw/LAX situation. Metro Risk Management staff reported “two leg fractures” and a “culture situation” of insufficient attention to worker safety on Walsh/Shea’s part.

Walsh/Shea project manager Joe Lee responded, saying that the contractor’s safety record was better than industry standards, but admitting that they had had “a bad March… with a number of close calls.”

The Metro board was not buying Lee’s account. Boardmembers Eric Garcetti, Jacquelyn Dupont-Walker, and Mark Ridley-Thomas all expressed displeasure with the contractor. Ridley-Thomas was the most vocal critic, suggesting that Walsh/Shea performance might be a “breach of contract.”

Ridley-Thomas put forward a motion directing Metro to further audit and review the situation, to create a corrective action plan, and to have legal counsel review the matter. The motion passed unanimously.

All-Door Boarding Pilot

Beginning May 18, Metro will test all-door boarding in some locations on Wilshire Boulevard. The details of the pilot have not been made entirely clear yet. The board passed a motion [PDF] by directors Mike Bonin, Eric Garcetti, and Sheila Kuehl to further study all-door boarding and off-board fare payment, initially on Wilshire.

Metro Policing Contract

With his extensive law enforcement background, Inglewood mayor and new Metro board member James Butts is taking a lead board role in overseeing Metro policing. Though he clashed with a Los Angeles County Sheriffs Department (LASD) representative in committee two weeks ago, relations were more polite today as the board received a Metro Inspector General (IG) review of options for when Metro’s transit policing contract comes up for a decision later this year. The IG staff report [PDF] is recommending more-or-less a new extension of the current LASD contract.  Read more…

1 Comment

Fourteen Artists Named for the Crenshaw Line; What Can We Expect to See From Them?

A mosaic designed by the late Willie Middlebrook for the Crenshaw stop of the Expo Line. Sahra Sulaiman/Streetsblog L.A.

A mosaic designed by the late Willie Middlebrook for the Crenshaw stop of the Expo Line. Middlebrook’s rich mosaics depict themes of connectivity among diverse populations and between humans and the Earth. (click to enlarge) Sahra Sulaiman/Streetsblog L.A.

Crenshaw Boulevard may be chaotic to navigate due to the construction of the Crenshaw/LAX Line at the moment, but good things appear to be in the works. The Source reported Wednesday that the new stations will be graced with works from a diverse mix of 14 artists.

If you’ve ridden any of the rail lines, you’ve probably noticed that the stations are unique and play host to artwork that is intended to ground the stations in or make some connection with the surrounding community. This is because 0.5 percent of rail construction project costs are put towards the creation and installation of original artwork at each station.

The formal linking of art with transit began in the 1970s, according to a best practices report by the American Public Transportation Association (APTA). After the U.S. Department of Transportation (DOT) offered its support for high quality art and design in federally-funded transit projects and the National Endowment for the Arts published a case study of federal design projects, then-President Jimmy Carter asked the DOT to take a step further and support projects that contributed to the architectural and cultural heritage of local communities. As a result, in 1978, Boston, Atlanta, and Baltimore received official support from the Design, Art and Architecture program for permanent public art projects. Boston’s Art on the Line program, which grew out of that initiative, helped set the standard for the integration of public art in transit systems around the country.

I Dreamed I Could Fly

I Dreamed I Could Fly, by Jonathan Borofsky (1993), unfortunately always conjures 9/11 for me.

The 0.5% of construction costs that Metro allocates for art projects is the minimum required by the Federal Transit Authority (the maximum is 5%), and smaller than the national average APTA cites as being between 1% and 2%. But, since 1989, that 0.5% has allowed the Metro Art program to commission over 250 artists for temporary or permanent projects at transit stations.

The projects range from the beautiful Festival of Masks Parade mural by Frank Romero at Wilshire/Normandie, to the intriguing About Place, About Face installation of 27 larger-than-life faces of area residents by Rob Nielson at the Pico-Aliso station, to the downright puzzling and possibly disturbing I Dreamed I Could Fly installation of what appears to be people falling from the sky by Jonathan Borofsky at Wilshire/Vermont (at right). See the full art guide, here.

Putting art in transit stations, says APTA, encourages ridership, improves perceptions of transit, conveys a sense of customer care, enhances community livability, improves customer experiences, improves organizational identity for transit agencies, deters vandalism, and increases safety and security. Which are all fantastic arguments for integrating art at key (and, generally, heavily neglected) bus stops, I might add, but I digress.

In selecting the finalists for the Crenshaw Line, The Source reports that the selection panel assessed how the proposed works would relate to the sites and surrounding communities, while also engaging and enhancing the transit rider’s experience along the line. The final works will take a variety of forms — the artists all work in a variety of media — and be fortified by glass, tile, stainless steel, mosaics, or porcelain enamel.

So, whose work can you look forward to seeing and what kind of work have they done in the past? Read more…


Metro Takes Another Step Forward in Effort to Build and Preserve Affordable Housing at Transit Hubs

The map of potential transit-oriented affordable housing sites. Source: Metro

The map of potential transit-oriented affordable housing sites (blue dots). Click to enlarge. See the original, here, on p. 24. Source: Metro

In case you haven’t heard, we’re in a bit of an affordable housing crunch.

According to the L.A. Times, “the city recently estimated that 82,000 additional affordable units will be needed by 2021.”

Non-profit developers have been aware of this problem for some time. Approximately 8000 families applied for the 184 units of affordable housing that the East L.A. Community Corporation has built in Boyle Heights and East Los Angeles recently. 1500 families vied for a spot in the 60-unit residence on Whittier Bl. built by the Retirement Housing Foundation last March. And RHF was expecting as many as 2500 applications for the affordable, 78-unit senior residence set to open next door. More than 1000 families applied to live in a 90-unit residence in Macarthur Park built by McCormack Baron Salazar on land owned by Metro. And these figures likely don’t include the folks who are desperate for housing but do not earn the minimum amount required to qualify for consideration.

But even as the need for affordable housing grows, the city’s ability to provide and maintain it has declined significantly. Since 2008, funding for the city’s Affordable Housing Trust Fund (AHTF) has dropped from $108 million to approximately $26 million. And, despite Mayor Eric Garcetti’s vocal support for affordable housing, no new funds were allocated to the AHTF in the last budget. While L.A. will likely receive some of the (anticipated) $130 million in funds set aside for affordable housing from the first year of cap-and-trade, the funds will first need to be divvied up among municipalities across the state.

Which is why it was heartening to see the Metro Board move forward on its plans to set aside at least 35% of units built on Metro-owned land for affordable housing and to establish a fund to assist non-profit developers in building or preserving affordable housing on privately-owned land near transit.

It’s not a panacea, as discussion of the 30-page staff report assessing the viability of the plan made clear. And there is much left to be done in the way of hammering out funding structures and sources for the loan fund or the criteria for discounts on Metro-owned land to entice developers to build affordable units. But it is a step in the right direction. Read more…


Eyes on the Street: Leimert Park Prepares People St Plaza for Grand Opening

The view of the People St Plaza in Leimert Park from the front of the Vision Theater. Sahra Sulaiman/Streetsblog L.A.

The view of the People St Plaza in Leimert Park from the front of the Vision Theater. Sahra Sulaiman/Streetsblog L.A.

The date for the grand opening of Leimert Park’s People St Plaza is not quite set in stone, yet, but it’s coming very soon. And I couldn’t be more excited. The stakeholders in Leimert Park have begun to install some of the unique features they developed as a way to tie the plaza to the culture of the community, and they look pretty fantastic.

Over the last week, Ben Caldwell, founder of the KAOS Network, and others laid down some of the Adinkra symbols which will eventually fill the entire plaza.

Adinkra symbols which will be used to populate the polka dots on the plaza.

Adinkra symbols which will be used to populate the polka dots on the plaza.

The symbols — representative of the philosophies of the Akan people (an ethnic group in Ghana) — were once only seen on cloths worn by community leaders during special occasions. Although they are more widely worn in Western Africa nowadays, and are commonly found stamped onto everyday objects, they still retain their meaning, represent proverbs, depict historical events, or offer some truth about human behavior or the world as the Akan understood it.

The values and ideas the symbols promote will be used to help guide programming in the plaza, incorporated into educational materials, and used throughout the Village area to reinforce the notion that when you enter Leimert Park, you are entering the home of a population with a unique cultural heritage.

The finished plaza will also feature an “urban farm lab” managed by the Carver program, wooden benches, bistro-style chairs and tables, a portable stage, and possibly some of the re-purposed street furniture that Caldwell and USC Annenberg Professor François Bar oversaw the development of in the tactical media courses they joint-taught.

So, what will you see if you stop down to check out Metro’s Eat, Shop, Play Crenshaw community fest this weekend or the Leimert Park Art Walk (Sunday, March 29)? Read more…


Move L.A.’s South L.A. Forum Asks if Transit Can Deliver Shared Prosperity

Figueroa Ave., just north of 85th St.

A man takes shelter in the shade of a telephone pole at a bus stop on Figueroa Ave., just north of 85th St. in South L.A., on a hot summer day. Sahra Sulaiman/Streetsblog L.A.

Riding my bike the 15 miles between my apartment and a Move L.A. forum on the future of transit at Southwest College on a dreary Saturday morning while battling the tail end of a stubborn respiratory infection was not among the brightest ideas I had ever had, I reflected as it began to drizzle and my hacking started getting the best of me.

But I hadn’t wanted to take the bus (buses, as, technically, I would have had to have taken two). Between the walking and the waiting for lines that run less frequently early on Saturday mornings, my door-to-door journey would probably come out at about two hours — half the time it took me to ride the route.

And the scenes I passed at bus stops on my way down the length of Vermont were not exactly selling bus riding to me.

The many, many folks crowding narrow sidewalks at unprotected bus stops looked rather miserable in the areas where rain was falling. Most yanked hats down over their ears, snuggled deeper into jackets, held newspapers or other random things over their heads to fend off the drizzle, and huddled over their kids to keep them dry. There are actual bus “shelters,” but they are few and far between, generally filthy and overflowing with trash, and offer little protection from the elements.

I even found myself dodging wet, frustrated people who had stepped out into the street to make the long-distance squint up Vermont that only regular bus riders can, searching in vain for a flash of orange. Others called out to ask if I had happened to pass a bus on its way to pick them up.

The state of the bus system in L.A. is not spectacular, in other words, despite the fact that it is responsible for ferrying 3/4 of all Metro transit riders (approximately 30 million people) back and forth per month.

But discussion of the bus situation was notably absent from the discussion on the future of transportation that unfolded over nearly five hours the morning of January 8.

Aside from the remarks of Southwest College alum Leticia Conley, who complained that some students’ ability to access education could be harmed by having to rely on buses that only ran once an hour, most of the discussion focused on rail.

The dotted blue lines represent Move L.A.'s proposal for expanded rail lines throughout L.A. County.

The dotted blue lines represent Move L.A.’s proposal for expanded rail lines throughout L.A. County.

In some ways, the oversight was by design. Besides gathering together leaders from the African-American community to talk about opportunities to make investments in transit translate into investments in the development of South L.A., the larger goal of the forum was to build support for putting a proposal for “Measure R2” on the 2016 ballot. Read more…


With 2024 Transit Connection, LAX Hedges Bets, Expects Travelers Will Park


LAX’s planned people-mover (dark blue line) will connect with Metro’s under-construction Crenshaw light rail line (vertical red line, on right). The project includes two “intermodal transportation centers” (blue polygons, in middle and right) which means car parking. Image from LAWA Handout [PDF]

“We have to deal with reality,” L.A. World Airports (LAWA) Chief of Planning Christopher Koontz stated at last week’s Metro Board of Directors meeting: even after the LAX rail connection opens in 2024, LAWA expects air travelers will keep drivingLAWA is the city of L.A. department in charge of LAX and a couple smaller airports. Responding to Metro Boardmember Jackie Dupont-Walker’s questioning, Koontz confirmed that connecting LAX to the under-construction Metro Crenshaw Line will mean “an expansion of parking.” 

In his presentation to Metro, Koontz clarified that the airport is looking to get its own employees to ride transit, but citing airport-transit examples in Washington D.C. and Atlanta, more than 90 percent of airline passengers are expected to continue to drive. Koontz’ presentation included a handout [PDF]; LAWA later provided SBLA this longer slideshow [PDF].

LAX people mover concept map showing immediately east of the Crenshaw Line's 96th Street Station: four stories of parking (in purple.) Image via LAWA.

LAX people-mover concept map showing immediately east of the Crenshaw Line’s 96th Street Station: four stories of parking (in purple). Image from LAWA handout [PDF]

Though a source (who declined to be identified) put the number at approximately 8,000 new public parking spaces, LAWA would not confirm this, nor would they provide a number. SBLA asked LAWA to provide an estimate of new parking spaces, or confirm or deny the 8,000 space figure. LAWA spokesperson Marshall Lowe responded:

We do not have an exact parking count but structured above-ground parking will be added in the Central Terminal Area, at the Intermodal Transportation Facility and the Consolidated Rent-A-Car facility.

LAWA’s diagram shows four new large parking lots at automated people-mover (APM) Intermodal Transportation Facility stations, plus two taller replacement parking lots in the middle Central Terminal Area loop. According to one concept [PDF p. 10], these large new Intermodal lots would be 4-level parking structures, so, roughly 8,000 new spaces seems about right. These 8,000 new spaces would add just over 50% to existing LAX owned/operated parking: 8,000 Central Terminal Area spaces and 7,300 economy Lot C spaces. At roughly $25,000+ per space for above-ground parking structures, the 8,000 spaces will likely cost over $200 million to build. Read more…

No Comments

Leimert Park People St. Plaza Set for Soft Opening at December CicLAvia

Detail of People St. Plaza plan and the Sankhofa symbol -- one of many designs that stakeholders hope to use to fill the polka dots that will grace the plaza. Plaza design: Kendall Planning + Design

The People St. Plaza plan for 43rd Pl in Leimert Park and the Sankofa symbol — one of many designs that stakeholders hope to use to fill the polka dots that will grace the plaza. The Metro station for the Crenshaw Line will be just a few hundred feet away. Plaza design: Kendall Planning + Design (click to enlarge)

On my way to a meeting of the Leimert Park Village stakeholders at the Vision Theater a few weeks ago, I poked my head into the art space known as the KAOS Network looking for founder and artist Ben Caldwell.

I found him huddled around a table with Sherri Franklin, the founder of Urban Design Center, and Alison Kendall, Principal Architect at Kendall Planning + Design (both of whom worked on the project pro-bono), finalizing the designs for Leimert Park’s People St. plaza project to be implemented at 43rd Pl. between Leimert Park Bl. and Degnan.

As Kendall and Franklin discussed the color scheme and the type and placement of street furniture and foliage around the perimeter, Caldwell scrolled through images of symbols that they hoped to use to fill in the polka dots that would grace the plaza. It was coming down to the wire, Kendall said, as she flipped through the pages of the plan. They needed to get their design specifications in to LADOT for approval so that the plaza would be ready in time for a soft opening at CicLAvia on December 7.

Watching them go back and forth over which elements would fit within LADOT’s standard kit offerings provided a hint of the effort it had taken to pull the proposal together.

Stakeholders had first needed to find a “community partner” (in this case, the Institute for Maximum Human Potential) who could provide insurance for the plaza, aid with the design, and take responsibility for the financing, maintenance, and programming around the project. Then they needed to gather signatures and letters of support, pull together a budget and list of potential plaza-centric activities, and design the space in a way that felt organic to the community but fit within the standard options that LADOT was offering (see more about the development of the project and the Thought Leadership Team here).

While they had embraced the idea of putting together a People St. project, they had been adamant that they wanted it to reflect the character and culture of the community. It also had to fit into their “20/20 Vision” — the longer-term strategy for the future named, in part, for the year the Leimert Park station of the Crenshaw Line is expected to open. Read more…